Machines to Live in, Moving Machines

Authors

  • Luis Alonso García King Juan Carlos University, Madrid

Abstract


A history of modern architecture in the context of global culture (from Ledoux to Archigram) through the metaphor and paradigm of the clock, origin and model of the notion of system, based on the theory of the project as it has been developed over the last three centuries (especially in the passage from Lloyd Wright to Le Corbusier) ... and as it may serve to an analysis of the relations between various media and arts.   

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Author Biography

Luis Alonso García, King Juan Carlos University, Madrid

Profesor de Comunicación Audiovisual, en las áreas de historia y teoría de la imagen, el cine y los media, especialmente centrado en la construcción cultural del cine desde una doble perspectiva: la historiografía de las formas y prácticas de la comunicación y la etnografía de los procesos creativos audiovisuales e hi­permediales. Ha escrito un centenar de trabajos académicos y media docena de libros como autor o editor, entre los que cabe destacar: “el Lado Oscuro del Mundo (y la Historia) del Cine : el oficio del director (la Aldea Maldita, Florián Rey, 1930)” (2016);  “lo Fílmico en torno al Cinematógrafo: Marey, Lumière, Méliès” (2014);  “Por una Historia sin Ángeles ni Demonios” (2014); “Peliculeros Zarandeados en la Selva de las Cosas y los Signos" (2014); "Género y Praxis: un juego de expectativas y sorpresas" (2013); “el Saber Hacer del Proceso Fílmico: del cineasta al filmólogo” (2013).

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Published

2017-05-27

How to Cite

Alonso García, L. (2017). Machines to Live in, Moving Machines. index.Comunicación, 7(2), 159–164. Retrieved from https://indexcomunicacion.es/index.php/indexcomunicacion/article/view/310

Issue

Vol. 7 No. 2 (2017): Cine y vanguardias artísticas

Section

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