Dramatized Societies: Quality Television Fiction in Spain and Mexico
DOI:
https://doi.org/10.33732/ixc/10/03SociedKeywords:
Dramatized fiction, Television, Case study, Spain, Mexico.Abstract
Over the last decade, Spain and Mexico have produced an extraordinary abundance of television drama and are considered as leaders in their respective continents. Only in 2014, Mexico produced more than one hundred thousand hours of television that were exported to over one hundred countries. Unlike the more fragile and vulnerable case of cinema, which depends on government subsidies and is dominated by Hollywood in local theatres, television in both countries is a very successful industry, connecting with domestic audiences and taking US production off the grid. This paper aims to explore the significant similarities between these two territories. To do so, it uses the study of the most relevant cases of dramatized fiction in each of the two countries.
Metrics
References
BUONANNO, M. (Noviembre de 2014). Quality Television and Transnational Standards. Conferencia leída en el Graduate Center, City University of New York.
ELLIS, J. (2002). Seeing Things: Television in the Age of Uncertainty. I. B. Tauris.
OROZCO GÓMEZ, G. (2001). Audiencias, televisión y educación: una deconstrucción pedagógica de la «televidencia» y sus mediaciones. Revista Iberoamericana de Educación, 27, 155-175.
PALACIO, M. (2001). Historia de la televisión en España. Gedisa.
--- (2012). La televisión durante la Transición española. Cátedra.
SMITH, P. J. (2014). Mexican Screen Fiction: Between Cinema and Television. Polity.
--- (2015). Report on Morelia International Film Festival, 17-26 October 2014. Studies in Spanish and Latin American Cinemas 12.2, 197-207.
WILLIAMS, R. (1989). On Television. Routledge.
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Paul Julian Smith
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who submit to this journal agree to the following terms:
Authors retain copyright and ensure the magazine's right to be the first publication of the work as licensed under a Creative Commons Attribution-NoComercial 4.0 International License that allows others to share the work with an acknowledgment of authorship of the work and the initial publication in this magazine, with no commercial purpose.
Authors can establish separate additional agreements for non-exclusive distribution of the version of the work published in the magazine (for example, to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
It allows and authors are encouraged to disseminate their work electronically (eg, in institutional repositories or on their own website) prior to and during the submission process, as it can lead to productive exchanges, as well as a citation more early and most of the published work (See The Effect of Open Access).