Hollywood’s First Condemnation of Forced Labour in the American South: ‘Hell’s Highway’ (Rowland Brown, 1932)

Authors

Keywords:

Hell’s Highway (Rowland Brown, 1932), Arthur Maillefert, Chain gangs, Forced labour, “Sweat box”, Penal system in the American South,

Abstract

The aim of this paper is to study Hell’s Highway (La carretera del infierno, Rowland Brown, RKO, 1932), the first American film to make an on-screen denouncement of the brutality exercised against prisoners sentenced to forced labour on chain gangs in the prison camps of the South of the United States. This is an obscure film that has received very little attention from scholars due to the fact that it was overshadowed by the sensational release of a later film, I Am a Fugitive from a Chain Gang (Soy un fugitivo, Mervyn Le Roy, 1932), produced by Warner Bros. As a result, it is not appreciated that, like the latter film, the film also portrays a true story: the case of Arthur Maillefert, a young inmate who died inside a “sweat box” in June 1932, at the Sunbeam prison camp in Florida. This study will pay particular attention to the filmic representation of these real events and demonstrate the high degree of veracity of the images in the film through a great number of sources and photographs from the era. Unfortunately, it will also confirm that its influence on instigating a reform of the penitentiaries in the South was non-existent.

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Author Biography

Carmen Guiralt Gomar, Universidad de Valencia

Carmen Guiralt Gomar es Doctora por la Universidad de Valencia, Licenciada en Historia del Arte por la misma universidad y Máster en Historia y Estética de la Cinematografía por la Universidad de Valladolid. Ha publicado alrededor de una quincena de artículos de investigación científica en revistas indexadas nacionales e internacionales altamente reconocidas en el ámbito de las Ciencias Sociales y las Humanidades, entre las que cabe citar Film History: An International Journal (USA), Aniki: Revista Portuguesa da Imagem em Movimento (Portugal), Observatorio (OBS*) (Portugal), EU-topías (UVEG-Université de Genève), Zer (UPV/EHU), L’Atalante. Revista de estudios cinematográficos (Cinefórum L'Atalante), Fonseca (USAL) y Fotocinema (UMA), y ha intervenido con comunicaciones en numerosos congresos científicos de carácter internacional. Asimismo, desde 2007 es colaboradora habitual de la revista Secuencias. Revista de Historia del Cine (UAM) y desde 2017 adjunta al consejo de redacción de la revista L’Atalante. Revista de estudios cinematográficos. Entre sus contribuciones a obras colectivas destaca el libro Ciudades de Cine (Cátedra, 2014), con el capítulo dedicado a «Washington, D.C.». Asimismo, es autora del libro Clarence Brown (Cátedra, 2017), el primero publicado sobre el cineasta a nivel mundial.

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Published

2017-09-02

How to Cite

Guiralt Gomar, C. (2017). Hollywood’s First Condemnation of Forced Labour in the American South: ‘Hell’s Highway’ (Rowland Brown, 1932). index.Comunicación, 7(1), 191–218. Retrieved from https://indexcomunicacion.es/index.php/indexcomunicacion/article/view/333

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